Showing posts with label Blues. Show all posts
Showing posts with label Blues. Show all posts

Monday, October 4, 2010

McKinley Blues


Slide guitar is also known as bottleneck guitar because bottlenecks were the first materials used to produce the effect. Normally a guitar player varies the pitch of notes by pressing a string down against a fret. Slide guitar players place a slide across the strings and move it along without lifting, creating continuous changes in pitch, sometimes in addition to using their free fingers to fret the guitar, sometimes not. The chords available are limited, so many musicians, including Mr Morganfield, use open tuning, a technique where the guitar strings are tuned to a particular chord (often D-G-d-g-b-d) which then changes key as the slide moves up and down the neck of the guitar. The origin of the technique is not clear. There is an Indian instrument, the Vichitra Veena which is played with a slide, as are many African one stringed instruments, though these don't share the challenges of slide guitar where strings which are playing the 'wrong' notes have to be muted.

Robert Johnson was one of the early influential guitarists to use the slide technique, but slide guitar couldn't be contained and burst from the acoustic world to electric guitar with the early blues musicians, and particularly with McKinley Morganfield who really brought the sound to electric guitar. "I Cant Be Satisfied" and "I Feel Like Going Home" were recorded in Chicago in 1948 and became hits for Mr Morganfield, bringing him a long way from his birth in Mississippi and early days as a field hand. If you're wondering why you haven't heard the name, it may be because you know the nickname better, McKinley Morganfield was better known as Muddy Waters.

Born in 1913 and raised by his Grandmother in Clarksdale Mississippi, McKinley Morganfield enjoyed playing in mud, hence the nickname Muddy. He added the 'Waters' himself later. Aged 13 he learned to play harmonica, but four years later, after hearing Robert Johnson he took up the guitar and by age 17 he was playing at various local events, his style a mixture of Johnson's slide guitar playing and Son House's tone. He married for the first time in 1932 but his wife left three years later when his first child was born, but not to her. In 1941 collectors came from the Library of Congress, looking for Robert Johnson in the hope of recording his music. Johnson was dead, but Muddy Waters was willing and able to demonstrate. He was recorded in 1941 and 1942 and then left the South for good in 1943 to move to Chicago.

It was Muddy Waters who brought blues, and specifically electric blues to England in the late fifties to influence an entire generation, though he himself was surprised that the music, which had arisen in black America, was losing it's appeal within the black community who were turning to soul music. At the same time young white teenagers were becoming huge fans. The Rolling Stones named themselves from one of Water's songs, Eric Clapton grew up loving the sound, and Led Zeppelins 'Whole Lotta Love' is based on a Muddy Waters song 'You Need Love'. It may be his influence which spread the use of slide guitar to the rock and roll world where it has developed still further. The Rolling Stones and ZZ Top have all used the technique as have Pink Floyd and even George Harrison, who experimented with it during his time as a Beatle and on later solo songs like 'My Sweet Lord'. Martin Scorsese the film director is a confirmed fan and has used Muddy Waters songs in many of his films, such as Casino and Goodfellas.

Muddy Waters continued to work throughout his life. His last performance was with Eric Clapton's band in Florida in 1982. He died a few months later. He is ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time, but his true influence can't possibly be measured.








John Blackwood
Learn to Play guitar
Blues Guitar Lesson


Sunday, October 3, 2010

Learn to Play Guitar - The Blues Scale


The challenge for most guitar players is 'what scales should I learn and which one should I learn first?' There's no shortage of scales available to the newbie guitarist in fact that's part of the problem, too much information.

Let's start at the beginning...

The basic scales to learn would be:

1. The minor pentatonic scale

2. The major pentatonic scale

3. The blues scale

I'd learn them in that order, master the minor pentatonic, next the major pentatonic and then the blues scale. I've covered the major and minor versions of the pentatonic scales in previous articles today our focus will be on the blues scale.

The Blues Scale

The blues scale is one of the most unique and frequently used scales. It is also important because it is the first real scale of American origin. The reason for the flexibility and feeling inherent in the blues scale are these:

(a) All of the traditional scale forms that form the backbone of "legit" musical training such as the diatonic major scale stem from the European musical culture. These scales all began and developed in an atmosphere of disciplined conditions e.g., they are a product of the piano keyboard.

Traditional scales where created and developed over the passage of time on the piano keyboard using a mathematical and scientific approach. The history of music shows the human intellect's even increasing need for more and more complex harmonic textures and with that need for harmonic complexity and

sophistication came the need to create more harmonically rich and exotic scales.

(b) In contrast the blues scale had its roots in an untrained, natural vocal origin. The important distinction between the "legit" scales and the blues scale is that the blues scale was a human vocal sound transferred to the instruments available at the time such as guitars played with a slide often referred to as "bottleneck" guitar as the slide was more often that not created out of the glass "neck" of a bottle.

Other instruments such as the bugle, trumpet and later the saxophone emulated the vocal sound or the work songs of people working on plantations, road and railway gangs.

Most early exponents of the blues scale, for example could not read music; did not study to develop their talent and facility; they were not technically aware of what or how they arrived at the music they produced. They heard and felt their music and that was all they needed.

Basic blues song structure

The blues started back in the 19th century as a form of folk music, it was originally performed by individual singers, guitarists, and banjo players. By 1920 three distinct blues formats had developed: the 8 bar blues, the 12 bar blues and the 16 bar blues.

From these three the 12 bar blues quickly became the most popular format it is still the most common blues form use by contemporary musicians.

The versatile nature of the blues scale makes it one of the most popular scales in modern music make sure you learn how to play this scale on the guitar.








And now I'd like to invite you to get free access to my "How To Remember 1,000 Songs" eCourse. You can download the course for free at: http://www.guitarcoaching.com

You'll learn about hit song templates, easy chords, simple scales, red hot rhythms, and successful practice strategies in text, audio and video.

From Mike Hayes - The Guitar Coaching Guy & the Express Guitar System


Saturday, October 2, 2010

What is a Good Blues Guitar?


Just like jazz, there are many different types of blues. From delta blues and Chicago blues to the east coast blues, each one has its own distinctive elements. Over the years, blues guitarists have used a plethora of instruments to accompany themselves, from commonly found acoustic steel string models to resonator guitars, all from a variety of manufacturers. Each type of guitar has its own characteristics, and as you study and learn to play the blues, you will learn to recognize which characteristics you'd like to make use of.

Resonator Guitars

Traditional acoustic guitars produce a sound because of the soundboard, which is basically the wooden face of the instrument. Resonator guitars were originally designed because they were louder than traditional acoustic designs, and they were able to compete with the wind instruments and drums in a large dance band. The instruments feature cone shaped apparatuses (resonators) beneath the strings that are made of metal. Some guitars have one resonator, and others have multiple resonators. Eventually, the instrument found a niche in the genre of blues.

Resonator guitars produce a metallic sound. Often times, the instrument is played with a slide or bottleneck, and it is versatile as a blues guitar, bluegrass guitar, and country guitar as well. There are affordable beginner and professional models of resonator guitars. They will provide you with a variety of tone options that will make your blues sound unique.

Solid Body Electrics

Many guitar manufacturers produce solid body electrics that make great options for aspiring blues guitarists. Most notably, the Gibson Les Paul is one of the most popular instruments. When played at louder levels, this instrument produces that cutting edge blues tone that is desirable from an electric guitar. Similarly, the Fender Stratocaster is a versatile instrument that has settings that can be tailored to fit the sounds of blues and rock and roll. It was used by the legendary Buddy Guy, and Eric Clapton also has made a mark on the Stratocaster with his blues infused tunes.

Acoustics

The first blues musicians were solo acts, singers with just a guitar in their hands. Recordings of Lightning Hopkins and Howlin' Wolf will feature just that - and great acoustic guitar sound. Acoustic guitars were extremely popular in the blues, especially in it early beginnings from the early 1900's to the 1930's, when electrics finally arrived on the music scene. A good acoustic blues guitar would probably feature a more shallow body, constructed from a wood that will produce a bluesy tone, such as mahogany and/or spruce. Gibson makes several impressive acoustics that are designed specifically with the blues in mind, like the Blues King Modern Classic.

The blues has evolved and changed with the time. Start your search for a good blues guitar by first listening to recordings, and determining which style of blues you would like to play. The early versions, with their acoustic guitar accompaniments, may inspire you to pursue a similar instrument and style for yourself. Innovators might lead you to try resonators and electrics. Whatever you choose, let the type of blues your ears gravitate to help you make the decision.








I hope you found this article helpful! A good guitar is important. But so is learning really essential lead guitar scales (like the minor blues scale).

If you are serious about improving your guitar soloing and would like to gain a mastery over guitar scales, then be sure to check out this website: http://www.GuitarScaleMastery.com/letter/


Thursday, September 30, 2010

Acoustic Masters Series: Bob Brozman's Bottleneck Blues Guitar

Acoustic Masters Series: Bob Brozman's Bottleneck Blues GuitarTopics covered include: turnarounds, bottleneck techniques, blue notes, open G tuning, right-hand techniques, blues licks and phrases, authentic blues rhythms, harmonics, and more. Includes complete transcriptions of "Terraplane Blues," "Moon Goin' Down," and "Rhythm in the Blues."

Price: $19.95


Click here to buy from Amazon

Dunlop Blues Bottle Glass Slide, Heavy Wall Thickness, Large

Dunlop Blues Bottle Glass Slide, Heavy Wall Thickness, LargeGuitar accessory. Made by Dunlop.

The Blues Bottle slide will take you back to pre-depression Mississippi where Blues Masters used medicine bottle slides to form the roots of modern day blues. Don't be fooled by cheap imitations. Blues bottles offer the following advantages: Individually hand-blown; Thick, weighted closed ends for optimum balance; Durable, seamless pyrex glass.

Price: $14.01


Click here to buy from Amazon

Monday, September 27, 2010

Bottleneck Blues Guitar (Guitar Books)

Bottleneck Blues Guitar (Guitar Books)A comprehensive instruction guide to blues slide guitar styles. Contains over 25 transcriptions of authentic bottleneck blues tunes by such masters as Son House, Robert Johnson, Tampa Red, and many more.

Price: $21.95


Click here to buy from Amazon

Warren Haynes: Electric Blues & Slide Guitar

Warren Haynes: Electric Blues & Slide GuitarWarren Haynes, of the Allman Brothers Band, has also enjoyed an outstanding solo career as a bluesman. On this great DVD he covers a wide range of blues and slide skills and techniques, including phrasing, vibrato, string bending, and soloing as well as mixing major and minor scales, using space, and looking for blue notes within intervals. An intense and rewarding blues lesson guaranteed to improve your playing! Includes a new introduction by Jeff Golub. Jeff began his career as guitarist for rocker Billy Squier. He has recorded numerous solo CDs and is a highly valued session player and sideman, having worked with such artists as Peter Wolf, John Waite, Tina Turner, Vanessa Williams, and Rod Stewart. You'll never miss a note! You see the music and the tablature on screen as it's being played! All right- and left-hand techniques are shown in close up and with helpful split-screen effects to make learning easy. Also includes: Artist biography, selected discography, suggested listening, booklet with music examples, and more. 1 hour, 28 minutes. Languages: English, French, German, Italian, Spanish

Price: $24.95


Click here to buy from Amazon

DVD-Slide Guitar For Rock & Blues

DVD-Slide Guitar For Rock & BluesLearn to play the blistering guitar solos, churning rhythms and wiling slide sounds that have impressed Roy Rogers’ fans worldwide.

Roy has been called "a force to be reckoned with" (Guitar Player) and "an exceptionally articulate slide guitarist" (Rolling Stone). Now he teaches his award-winning style along with dynamic arrangements to several blues favorites.

Roy covers all the essentials—how to get into open tunings, hold the slide, play with vibrato and proper intonation, and develop a powerful picking style using plectrum and fingers. You’ll progress to advanced slide techniques including licks and their variations, improvisations, harmonics, how to play rhythm along with lead riffs, classic endings and turnarounds, use of dynamics, hammers and pulls, and much more. Roy and his band perform all the tunes taught on this DVD. Before long, you’ll be playing Look Over Yonders Wall, The Sky is Crying, Walkin’ Blues, Tip Walk and Black Cat Bone.

Price: $29.95


Click here to buy from Amazon